Echoing the aesthetic of the erotic film Emmanuelle, the chair creates a sense of reverse voyeurism. Emmanuelle Is Shy questions the role and the status of the creator referring to the subject of the relation between Art and Industry.

Chair used for performance during the opening of the Design Biennial of Saint Etienne in 2010 and Nuit Blanche Metz in 2009.

Part of the permanent national collection of FNAC, National Design and  Contemporary Art Collection in Paris

2008