Echoing the aesthetic of the erotic film Emmanuelle, the chair creates a sense of reverse voyeurism, in which one is seen without seeing.
Emmanuelle is shy questions the role and the status of the creator through a use refered to the subject of the relation between Art and Industry.
Emilie Voirin performed at the Biennale of Saint Etienne

Emmanuelle is shy questionne le rôle et le statut du créateur à travers un usage qui se réfère au sujet du rapport entre l'art et l'industrie.

2010